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The New England Jazz Alliance held its first fall conference at the
Hartt School at the University of Hartford on Saturday, Oct. 11 with
jazz organizations from five of the six New England states represented (see List of Participants.).
Highlights included:
- Election or re-election of 13 members of the NEJA Board of Directors.
- Restatement of guidelines and eligibility standards for the New England Jazz Hall of Fame.
- Introduction of new candidates for the Hall of Fame.
- Announcement and demonstration of NEJA’s history/archival Web site (here at www.nejazz.org).
- Resolutions to connect NEJA initiatives to the curricula at every level of education (K-college).
Board Elections
In the NEJA board elections, the conference re-elected Mae Arnette, Marce
Enright, Frank Haigh, Chuck Obuchowski, Burt Walker and Rose Marie White
for three-year terms, and Bob Eshback for a two-year term. Joining the
board for the first time were Juanita Johnson of Boston; Doug Morrill of
Bethany, Conn.; Eugene Uman of Brattleboro, Vt.; Paul Verrette of Lee,
N.H.; Paul Combs of Cambridge, Mass.; and Lloyd Kaplan of Providence,
R.I. All but Morrill, who was elected for three years, will serve
two-year terms.
Hall of Fame
The Conference adopted some new guidelines for the New
England Jazz Hall of Fame nominations. By unanimous consent, it was agreed that nominees receiving ten or more votes in 2001 be included on the next nominees list, along with the jazz artists who received at least two write-in votes in 2001. Nominees who fell off the list will not
be forgotten. They will remain on NEJAs master list of New England
musicians, and efforts will continue to gather more information and
biographical material on them, which may well result in their renomination in the future.
NEJA president Brent Banulis announced that NEJA hopes to conduct a new
Hall of Fame poll this winter and announce the names of five new
inductees in early April 2004, with an updated exhibit to follow.
Also in Hartford, Board member Ed Bride proposed the inclusion of non-musicians into the Hall
of Fame. NEJA has long been calling attention to major contributions to
the New England jazz scene by promoters and educators such as Father
Norman OConnor, Bob
Share and Stephanie Barber. Some attendees felt they should be eligible for
Hall of Fame consideration, and others felt they should be remembered in
a separate category, perhaps with a special award of recognition. The
Hall of Fame
committee in Hartford agreed to include the question with the next Hall
of Fame ballot mailing.
Representatives from the Hartford Jazz Society, the Vermont Jazz Center, Jazz Haven (New Haven),
the Seacoast Society (New Hampshire), the Cape Cod Jazz Society, and the
Publishing Consortium (Rhode Island) as well as the NEJA Board of
Directors submitted names for Hall of Fame consideration. The nominees: cornetist Ruby Braff, pianist/composer Ralph
Burns, New Haven jazz artists and mentors Bobby and Eddie Buster,
pianist/band leader/educator Dean Earl, New Hampshire
pianist/mentor/producer Tommy Gallant, saxophonist/composer Gigi Gryce,
vocalist Arthur Prysock, saxophonist/composer Jackie Stevens, and
guitarist/composer/mentor Attila Zoller.
Paul Brown, Unsung Hero
NEJA presented its first Unsung Hero award to jazz bassist and educator Paul Brown, for producing free concerts in Hartford’s Bushnell Park for 37 years.
Brent Banulis and Mae Arnette present Paul Brown with NEJA's first
"Unsung Hero" award (STUART FELDMAN PHOTO).
View larger image.
Film maker Rebecca Abbott drew rave reviews after the showing of her
"Unsung Heroes: The Story of Jazz in New Haven."
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Web Site
The conferees were universally impressed by a demonstration by Rich
Falco and Jeremy Hitchcock from Worcester Polytechnic Institute on how
to use NEJA’s new New England Jazz History archival Web site, and all
agreed that the initiative to involve more researchers, students and
authors should be pursued throughout New England.
Spreading the Word
Regarding NEJA's educational mission, all agreed to pursue dialogues with
other organizations dedicated to jazz as an art form and a social and cultural
force. Avenues for future discussion were offered by Andy Jaffe of Williams
College, who invited NEJA and its Hall of Fame exhibit to next April’s
Williamstown (Mass.) Collegiate Jazz Festival, and Larry Ridley, director of the
African American Jazz Caucus, who extended an invitation to all NEJA members to
the Caucus gatherings during the International Association for Jazz Education
Conference in New York, Jan. 21-24.
Board of Director Resolutions
Resolution 1
We, of the NEJA Board of Directors, hereby acknowledge and thank those
who helped establish the New England Jazz Alliance and the New England
Jazz Hall of Fame: the NEJA membership, the Hall of Fame voters, and
especially the following former or outgoing Board members:
- Jerry Edwards, Harold “Bunky” Emerson, Jimmy Neil and Sonny
Watson, former members of Boston Musicians Local 535
- Nancy Alimansky of Highland Jazz
- Nick Puopolo (now NEJA’s chief photographer)
- Sissy Smith of the Boston Jazz Society
- Ed Keane of Keane Productions
Resolution 2
We, of the NEJA Board of Directors, hereby acknowledge and pay homage
to those members of the New England Hall of Fame College of Voters who
have died since the last Hall of Fame polling in 2001 —
- Bill Berry: trumpeter, bandleader
- Ruby Braff: cornet player, Louis Armstrong disciple
- Ralph Burns: pianist, composer
- Dean Earl: pianist, bandleader, mentor, educator
- Vinnie Haynes: historian, lecturer, “picture-taker”
- Bill “Sonny” Jones: drummer, Local 535 member
- Eric Nisenson: author, keen observer of music culture
- Cathy Blish Pierce: vocalist, founder of “Musicians’ Wives”
- William Russo: composer, conductor, educator
- Jackie Stevens: saxophonist, composer
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In the session dealing with the rules for the New England Jazz Hall of
Fame, (from left) Jesse Hameen, Alicia Zoller, Alfred Cox, Tom Reney,
Rose Marie White, Mike Reichbart and Barbara Rucker ponder the
guidelines for determining the next Hall inductees.
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Paul Combs reads message from the Seacoast Jazz Society on the Hall of
Fame nomination of New Hampshire pianist Tommy Gallant.
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Howard Brofski and Alicia Zoller made a strong case for the Hall of Fame nomination of guitarist Attila Zoller.
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(From left) Forrest Adams, Larry Ridley, Bill Measom (foreground), Ted
Belastock, Mae Arnette and Brent Banulis listen to ideas concerning
NEJA's Hall of Fame.
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During the discussion on jazz history in the curriculum, Andy Jaffe,
director of Jazz Studies at Williams College, let NEJA know that the New
England Jazz Hall of Fame exhibit will be included in next April's
Williamstown Collegiate Jazz Festival.
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(From left) Ron Gill, Barbara Bishop, Marce Enright, Forrest Adams,
Alfred Cox and Rose Marie White took advantage of a lovely Saturday
afternoon with a outdoor lunch break.
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Elections Committee chairwoman Barbara Bishop (left) joins honorary
conference chairwoman Mae Arnette in the Wilde Auditorium to announce
the nominees for NEJA's Board of Directors (STUART FELDMAN PHOTO).
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Larry Ridley, director of the African American Jazz Caucus, opened the
door for NEJA to become an ally during the Jan. 21-24 conference of the
International Association for Jazz Education in New York.
Greg Abate drove in from Rhode Island just in time to join Eugene Uman
(piano), Nat Reeves (bass) and Malik Washington (drums) for a musical
tribute to Hall of Fame nominee Jackie Stevens (STUART FELDMAN PHOTO).
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Howard Brofski returned to the Wilde Auditorium stage to join Greg Abate
in a tribute to Hall of Fame nominee Jackie Stevens (STUART FELDMAN PHOTO).
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Mae Arnette and Ron Gill joined the band for a vocal duet to honor NEJA
friends recently lost, including Vinnie Haynes, Dean Earl and Sonny
Jones (STUART FELDMAN PHOTO).
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Malik Washington, who now splits his time between Boston and New York
and celebrated his 18th birthday during the conference, contributed some
fine drumming and also significant insights during the panel discussion
on jazz in the curricula (STUART FELDMAN PHOTO).
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The Real Ambassadors from the Greater Hartford Academy of the Arts gave
several jazz tunes a new twist (STUART FELDMAN PHOTO).
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